Untitled...

  • Random
  • Archive
  • RSS
'\x3ciframe src=\x22http://player.vimeo.com/video/34813864\x22 width=\x22500\x22 height=\x22281\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e'

Because there’s only one way to look like a real cover girl

  • 2 weeks ago
  • 4
  • Comments
  • Permalink
  • Share
'\x3ciframe width=\x22500\x22 height=\x22281\x22 src=\x22http://www.youtube.com/embed/SXjZrfupKN4?wmode=transparent\x26autohide=1\x26egm=0\x26hd=1\x26iv_load_policy=3\x26modestbranding=1\x26rel=0\x26showinfo=0\x26showsearch=0\x22 frameborder=\x220\x22 allowfullscreen\x3e\x3c/iframe\x3e'

“Si abandoné fue porque no tenía ganas de correr. Porque perdí el placer de estar corriendo, de estar en montaña…

…la sociedad nos lleva intentar estar presentes en todas partes, a buscar una belleza que es efímera.
En Cavalls me di cuenta de esto.
A veces hay que cerrar los ojos y entonces se puede ver cual es la verdadera belleza… y entonces me di cuenta de que no estaba haciendo lo que realmente quería.”

Todos deseamos ganar y a nadie le gusta perder, pero esto tiene consecuencias muy negativas cuando el ganar implica olvidarse de otros conceptos no menos importantes vinculados al deporte y a la vida en general.

Killian es sinónimo de record y de inspiración.
Uno de esos referentes capaz, tanto de devolverte el aliento cuando el fuelle no da para más, como de hacerte parar y reflexionar sobre tus motivaciones.

En Cavalls del Vent se retiraba. A veces tras ganar una prueba de ultradistancia no se sentía satisfecho y “al día siguiente hay gente que está llegando a una plaza y los ves que están llorando de emoción, y contentos, y dices: ¡qué cabrón, ese sí que ha ganado!”

Y es así como de vez en cuando el semáforo debe de ponerse en rojo.
Cuando todo se fundamenta en ganar más, más dinero, más fama, más poder, más y más… y sin darnos cuenta hemos perdido la capacidad de preguntarnos “¿por qué?”.

A veces hay que cerrar los ojos y volver a las raíces.

  • 2 weeks ago
  • 3
  • Comments
  • Permalink
  • Share
View Separately

(via gofuckingnuts)

  • 2 months ago > gofuckingnuts
  • 2188
  • Comments
  • Permalink
  • Share
View Separately

(via morinou)

  • 2 months ago > sunshine-gazes
  • 308
  • Comments
  • Permalink
  • Share
Pop-upView Separately

(via morinou)

  • 2 months ago > fat-birds
  • 505
  • Comments
  • Permalink
  • Share
Devorah Sperber


After        The Mona Lisa 8  is constructed from 1482 larger spools of thread so the image resolution        is very low. Yet when seen through a viewing sphere, the thread spools condense        into a recognizable image, conveying how little information the brain needs        to make sense of visual imagery it has already been exposed to.

At          first glance, the thread spool installation appears to be a random arrangement          of spools of thread. A clear acrylic sphere placed in front of the work,          shrinks and condenses the thread spool “pixels” into a recognizable image          while also rotating the imagery 180 degrees like the human eye. This shift          in perception functions as a dramatic mechanism to present the idea that          there is no one truth or reality, emphasizing subjective reality vs. an          absolute truth.
Pop-upView Separately

Devorah Sperber

After The Mona Lisa 8  is constructed from 1482 larger spools of thread so the image resolution is very low. Yet when seen through a viewing sphere, the thread spools condense into a recognizable image, conveying how little information the brain needs to make sense of visual imagery it has already been exposed to.

At first glance, the thread spool installation appears to be a random arrangement of spools of thread. A clear acrylic sphere placed in front of the work, shrinks and condenses the thread spool “pixels” into a recognizable image while also rotating the imagery 180 degrees like the human eye. This shift in perception functions as a dramatic mechanism to present the idea that there is no one truth or reality, emphasizing subjective reality vs. an absolute truth.

(via metalhearts)

  • 2 months ago > metalhearts
  • 7943
  • Comments
  • Permalink
  • Share
View Separately

(via nemoi)

  • 2 months ago > 4doors
  • 1297
  • Comments
  • Permalink
  • Share
Pop-upView Separately

(via obakugraphics)

  • 2 months ago > obakugraphics
  • 9
  • Comments
  • Permalink
  • Share
City of Shadows by Alexey Titarenko 
Pop-upView Separately

City of Shadows by Alexey Titarenko 

(via obakugraphics)

  • 2 months ago > wedieforbeauty
  • 5
  • Comments
  • Permalink
  • Share
View Separately

(via gofuckingnuts)

  • 2 months ago > gofuckingnuts
  • 4021
  • Comments
  • Permalink
  • Share
View Separately
  • 2 months ago > heymarinaa
  • 41240
  • Comments
  • Permalink
  • Share
View Separately

(via scire-tacere)

  • 2 months ago > scire-tacere
  • 11733
  • Comments
  • Permalink
  • Share
Interior design room: CableDrop.
Pop-upView Separately

Interior design room: CableDrop.

(via applearts)

  • 2 months ago > applearts
  • 51
  • Comments
  • Permalink
  • Share
'\x3ciframe src=\x22http://player.vimeo.com/video/17391435\x22 width=\x22500\x22 height=\x22212\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e'

Storm Freerun - Volume one.

(via zerote)

  • 2 months ago > zerote
  • 3
  • Comments
  • Permalink
  • Share
View Separately

(via gofuckingnuts)

  • 2 months ago > gofuckingnuts
  • 2908
  • Comments
  • Permalink
  • Share
← Newer • Older →
Page 1 of 166

About

Avatar

Raul
Arrieta Brouard
Project Manager
Soft. Engineer

Snow, photos, bikes, travel, coffee, design, mountains, music, books, icecreams, sea, design, cooking...

· about me...

usuarios online.
  • @bolg on Twitter
  • Facebook Profile
  • bolg on Flickr
  • bolg on Delicious
  • bolg on Last.fm
  • bolg on Foursquare
  • Google
  • Linkedin Profile
  • RSS
  • Random
  • Archive
  • Mobile

Effector Theme by Carlo Franco.

Powered by Tumblr